Directing
30
Man
Jun 12, 1907
Oct 14, 1987 (80)
Frieth, Buckinghamshire, England
Basil Wright
Basil Wright - was a documentary filmmaker, film historian, film critic and teacher. During World War II, Wright worked only as a producer, first at John Grierson's Film Centre before joining The Crown Film Unit between 1945 and 1946 as producer-in-charge. Among the best known films he produced for Crown are Humphrey Jennings' A Diary for Timothy (1946) and A Defeated People (1946) and Instruments of the Orchestra (1946) featuring Benjamin Britten's The Young Person's Guide to the Orchestra.[1] Returning to direction in the early 1950s, his films included Waters of Time (1951) made for the Festival of Britain, World Without End (1953) directed with Paul Rotha for UNESCO and Greece: The Immortal Land (1958) in collaboration with his friend the artist Michael Ayrton. Writing throughout the 30s and 40s, Basil Wright had contributed to the theoretical development of documentary in the movement's journals Cinema Quarterly, World Film News and Documentary Newsletter. He was the film critic for The Spectator after Graham Greene left. Wright was a regular contributor to the British Film Institute's Sight and Sound during the 1940s and '50s. He published a small book: The Uses of Film (1948) and his personal (extensive) history of cinema The Long View (1974). He taught at the University of Southern California (1962 and 1968), The National Film and Television School in London (1971–73) and Temple University in Philadelphia (1977–78). He was Governor of the British Film Institute, a fellow of the British Film Academy and President of the International Association of Documentary Filmmakers. In his films Wright combined an ability to look closely and carefully at a subject with a poetic and often experimental approach to editing and sound. In Britain he is commemorated with a film prize awarded biennially by the Royal Anthropological Institute.
| Year | Movie / TV show / Other | Role |
|---|---|---|
| 1974 | Omnibus - Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy | Himself |
| 1934 | Pett and Pott: A Fairy Story of the Suburbs | Vicar (uncredited) |
| 1929 | Every Day |
| Year | Movie / TV show / Other | Role |
|---|---|---|
| 1958 | The Immortal Land | Director |
| 1958 | The Immortal Land | Producer |
| 1953 | The Drawings of Leonardo da Vinci | Producer |
| 1953 | World Without End | Director |
| 1951 | Waters of Time | Director |
| 1946 | It Might Be You | Producer |
| 1945 | A Diary for Timothy | Producer |
| 1945 | The Channel Islands 1940-1945 | Producer |
| 1942 | This Is Colour | Producer |
| 1942 | London Scrapbook | Producer |
| 1941 | The Green Girdle | Producer |
| 1940 | Men of Africa | Producer |
| 1939 | The Rape of Czechoslovakia | Writer |
| 1938 | The Face of Scotland | Director |
| 1938 | Advance Democracy! | Producer |
| 1937 | Children at School | Director |
| 1937 | Modern Orphans of the Storm: The Story of the Refugee Basque Children | Director |
| 1936 | Night Mail | Editor |
| 1936 | Night Mail | Director |
| 1935 | Coal Face | Director of Photography |
| 1934 | The Song of Ceylon | Director |
| 1934 | The Song of Ceylon | Editor |
| 1934 | The Song of Ceylon | Director of Photography |
| 1933 | The Country Comes to Town | Director |
| 1932 | O'er Hill and Dale | Director |
| 1932 | O'er Hill and Dale | Cinematography |
| 1931 | Industrial Britain | Additional Photography |