Waiting for the Wind (1982)

“Nares creates a tornado-like catastrophe with a hand-held super-8 camera, a shooting ratio of three to one (about $100 worth of film stock), and remarkable timing…fine filmmaking control is uses to suggest the terror of a world completely beyond personal control…Nares opens up the possibility of metaphor, evoking forces both terrifying and exhilarating.” Amy Taubin