で知られている
Writing
クレジット
74
性別
男
誕生日
1912年5月18日
死の日
1992年3月11日 (79)
出生地
Philadelphia, Pennsylvania, USA
としても知られている
Ruben Sax
Ричард Брукс
Richard Brooks
で知られている
演技の役割
| 年 | 映画 / テレビ番組 / 他の | 役割 |
|---|---|---|
| 1992 | MGM: When the Lion Roars | |
| 1988 | Bacall on Bogart | Self |
| 1988 | Cary Grant: A Celebration of a Leading Man | Self |
| 1987 | A Special Friendship | Matt Bowser |
| 1975 | Elizabeth Taylor: An Intimate Portrait | Self |
| 1956 | Cinépanorama | Self |
クレジット
| 年 | 映画 / テレビ番組 / 他の | 役割 |
|---|---|---|
| 1985 | Fever Pitch | Writer |
| 1985 | Fever Pitch | Director |
| 1982 | Wrong Is Right | Writer |
| 1982 | Wrong Is Right | Director |
| 1982 | Wrong Is Right | Producer |
| 1977 | Looking for Mr. Goodbar | Director |
| 1977 | Looking for Mr. Goodbar | Screenplay |
| 1975 | 弾丸を噛め | Writer |
| 1975 | 弾丸を噛め | Director |
| 1975 | 弾丸を噛め | Producer |
| 1971 | $ | Director |
| 1971 | $ | Writer |
| 1969 | The Happy Ending | Producer |
| 1969 | The Happy Ending | Director |
| 1969 | The Happy Ending | Writer |
| 1967 | 冷血 | Director |
| 1967 | 冷血 | Screenplay |
| 1966 | プロフェッショナル | Producer |
| 1966 | プロフェッショナル | Director |
| 1966 | プロフェッショナル | Screenplay |
| 1965 | Lord Jim | Director |
| 1965 | Lord Jim | Producer |
| 1965 | Lord Jim | Writer |
| 1962 | 渇いた太陽 | Director |
| 1962 | 渇いた太陽 | Screenplay |
| 1960 | Elmer Gantry | Screenplay |
| 1960 | Elmer Gantry | Director |
| 1958 | 熱いトタン屋根の猫 | Director |
| 1958 | 熱いトタン屋根の猫 | Screenplay |
| 1958 | The Brothers Karamazov | Director |
| 1958 | The Brothers Karamazov | Writer |
| 1957 | Something of Value | Director |
| 1957 | Something of Value | Screenplay |
| 1956 | The Catered Affair | Director |
| 1956 | The Last Hunt | Director |
| 1956 | The Last Hunt | Writer |
| 1955 | Blackboard Jungle | Director |
| 1955 | Blackboard Jungle | Screenplay |
| 1954 | The Last Time I Saw Paris | Director |
| 1954 | The Last Time I Saw Paris | Screenplay |
| 1954 | Flame and the Flesh | Director |
| 1953 | Battle Circus | Writer |
| 1953 | Battle Circus | Director |
| 1953 | Take the High Ground! | Director |
| 1952 | Deadline - U.S.A. | Director |
| 1952 | Deadline - U.S.A. | Writer |
| 1951 | Storm Warning | Writer |
| 1951 | The Light Touch | Director |
| 1951 | The Light Touch | Screenplay |
| 1950 | Mystery Street | Screenplay |
| 1950 | Crisis | Director |
| 1950 | Crisis | Writer |
| 1949 | Any Number Can Play | Screenplay |
| 1948 | Key Largo | Screenplay |
| 1948 | To the Victor | Writer |
| 1947 | 真昼の暴動 | Screenplay |
| 1947 | Crossfire | Novel |
| 1946 | 殺人者 | Writer |
| 1946 | 殺人者 | Additional Writing |
| 1946 | Swell Guy | Writer |
| 1944 | Cobra Woman | Screenplay |
| 1944 | With the Marines at Tarawa | Director |
| 1944 | Return to Guam | Director |
| 1944 | My Best Gal | Story |
| 1943 | White Savage | Screenplay |
| 1943 | Don Winslow of the Coast Guard | Additional Dialogue |
| 1942 | Sin Town | Additional Dialogue |
| 1942 | Men of Texas | Screenplay |